Stellar Audio of Megan Volpert, Deborah Poe, & Laura Mullen


For some excellent poetry readings, perk up your ears here:

Deborah Poe –

Megan A. Volpert –

Laura Mullen –



Best Second Book



(One time the singer Seal said something about how you have your whole life to write your first album, so people shouldn’t expect greatness out of a second attempt. These five say “go back in the water, Seal.”)

Goat Funeral, Christopher Bakken
Inflorescence, Sarah Hannah
I’m the Man Who Loves You, Amy King
Drunk by Noon, Jennifer L. Knox
a half-red sea, Evie Shockley



Best Book of New Poetry Published in 2007 ** Best First Book ** Best Second Book ** Best All-New Collection by a Canonical Figure ** Best Selected/Collected ** Best Poem in a New Collection ** Best Author Photo ** Best Book Title ** Best Book Cover ** Best Long Poem ** Best Book-Length Poem ** Best Opener ** Best Closer ** Best First Lines ** Best Closing Lines ** Technical Awards ** Best “Thirteenth Poem” ** Best Response to Coldfront **



Do Not Awaken Them With Hammers


How about a pleasant poem to start your month off right? Ugly Duckling has smartly created a Eastern European Poets Series that we Americans might benefit from. I am currently immersed in Lidija Dimkovska’s most excellent book, DO NOT AWAKEN THEM WITH HAMMERS, translated by Peggy Reid – yay!

Craig Santos Perez wisely reviews this collection at Galatea Resurrects – check it. And if you’re thinking of holiday gift giving already … hint hint.

Incidentally, I’ve been thinking about where the bulk of my paycheck goes lately, after rent and other bills. I’ve narrowed it down to books, fine wines (recently got into sampling), and the occasional dining experience. I don’t even go nuts for clothes anymore, and many friends would concur – I’m not the “fashion plate” I once was – ha! No more keeping up with the Joneses, ahem, I mean, the hipsters.

Okay, no further ado; it is now for your daytime treat – here’s one from the collection:


The Newscaster entered the history of her people,
the children study her for a grade, and they know her
from the advertising billboards in all the suburbs.
Who knows if she’s going to have her photo taken for “Playboy?”
Mommy, why does this lady have such a big ass?
So that the daily “Nova Makedonija” will not perish or else your father
will hang us. And why did you get an F in history?
The teacher asked who wrote our anthem,
and I said Ataturk, because I had melted into the palms
that the Turkish girl sitting next to me on the school bench
was warming between my legs, and drawing
bridal veils in my notebooks.
Shame on you son.
Is that why I sit at home, patching dead languages,
starching sonnets, is that why my back’s killing me
from washing Byzantine hymnographers’ manuscripts,
Havel’s letters and all sorts of other cult mystifications?
And every night my cheeks defecate,
and I have to tell you, not even Cleopatra went through
so much toilet paper. It is for nothing that
I press Delete, nothing can erase them,
and even less stop them from ejecting
feces–worms in a game of mirrors.
Oh son, son, it’s not the wind beating against the shutters that wakes you at night,
it’s the pores of my outer skin flushing themselves with water from the toilet,
and whoever arrives first in the dream
on the other side of the cable TV goes to pee. Look at her,
she’s all dressed up as if she was talking about Osiris,
not about the rice that caught diarrhea at dawn,
and do not ask shy she has such red eyes,
or why her nails are all gnarled, and her cheeks transparent.
Study son, repeat, not battles and peace summits,
but: why doesn’t a dead person’s hairdo stay in place
for more than ten minutes, why didn’t Isis
catch it from Osiris,
(and your father once told your uncle:
the more I beat her, the more she loves me),
because you have to know everything so as not to know anything
and be photocopied on freshly painted walls,
white walls for all those wonderful people.
Study son. Study will not harm the head underwritten
by the Lethe Insurance Company.



Lidija Dimkovska was born in 1971 in Skopje, Macedonia. She is a poetry editor for the online literary review Blesok (Shine). She took her Ph.D. in Romanian literature from the University of Bucharest, and now lives in Slovenia. Her books include The Offspring of the East (1992), The Fire of Letters (1994), Bitten Nails (1998), and Nobel vs. Nobel (2001).

Ljubica Arsovska is editor-in-chief of the quarterly Kulturen Zivot, the leading cultural magazine in Macedonia, and translator of numerous books, plays, and poems.

Peggy Reid is a translator of Macedonian poetry and prose. In 1973 she and her husband, Graham W. Reid, received the Struga Poetry Festival Translation Prize for their translation of The Sirdar, by Grigor Prlicev. In 1994 she received the Macedonian Literary Translators’ Society Award; she has also won first prize at the Avon Poetry Festival, UK, twice for her own poetry. She teaches English at the University of SS. Cyril and Methodius, Skopje.

One Response to “December Day Treat”

  1. ashok Says:
    December 9th, 2007 at 4:22 pm eHope all is well – just curious, any particular sort of wine?I always like drinking Sauvignon Blanc b/c it’s readily available and (relatively) cheap: yeah, I admit it, I know squat about wine.



“Enter diode, teeming with ‘poetry that excites and energizes. . . . poetry that uses language that crackles and sparks.’ We set out to find poetry that creates an arc between writer and reader, an arc that hums with the live current of language.”

Includes work by Chris Abani, Laura McCullough, Rick Barot, Amy King, Bob Hicok, Frankie Drayus, Allison Titus & Rob Schlegel, Julie Doxsee & Mathias Svalina, Eve Rifkah, Peter Jay Shippy, Suzanne Frischkorn, Jake Adam York, Susan Settlemyre Williams, Tara Moyle, Matthew Wills, Karen Schubert, Carmen Gimenez Smith, Joshua Ware, Rich Murphy, and Didi Menendez.



5 Responses to “diode”

  1. Jim K. Says:
    September 13th, 2007 at 5:29 pm eI scanned ~12 samples..
    It’s rather fascinating…the narratives are usually more visible
    than pure language poetry, but the surreal effects and language
    jumps are really snappy. Even the life/historics have a
    certain blurr to them. And it spools out in that run-on style
    half the time for lots of speed. Their description is really
    apt….fo real! Your stuff is really buzzing along in that issue,
    facets sparking. A shade of the Ashbery-esque, more than
    usual, in your bobsled-kickoff start, then the flashes, and
    the Dali-esque visual (image-surreal?). Pretty cool.

    An epiphany:
    Many collections each have their own personality too. The pieces
    are part of the bigger saga. I see the ed. composing….Very nice, zingy.

  2. Jim K. Says:
    September 14th, 2007 at 7:20 pm eOdd…looks different today.
    First one is much more commentary-like.
    Good though -)
  3. Sam Rasnake Says:
    September 16th, 2007 at 3:08 am eSuch an interesting venue. Enjoyed your work there, Amy.
  4. Nick Bruno Says:
    September 16th, 2007 at 11:41 pm eCongrats & thanks for the read.
  5. Amy King Says:
    September 17th, 2007 at 9:23 pm eGlas you all enjoyed the new site and work! Thanks for stopping in~




We’re pleased to announce the inaugural issue of mid)rib. It is the mid)rib staff’s hope to foster an international voice for experimental poetics. We hope you’ll take as much pleasure in reading the work of our contributors as we have. In the issue you’ll find new work from an eclectic group of writers, including: Tomas S. Butkus, Joel Chace, Regina Derieva, Anna Fulford, H.T. Harrison, Scott Hartwich, Beth Joselow, Kerry Shawn Keys, Amy King, Sarah Maclay, Nicholas Messenger, Bonnie Jean Michalski, Matt Reiter, Susan M. Schultz, Lauren Goodwin Slaughter, Ted Stimpfle and Jim Warner. We welcome your comments and feedback. Please feel free to forward this to any interested parties. Enjoy.

the mid)rib staff

andy martrich, editor
gordon faylor, editorial assistant
jeremy schevling, art boy/ designer
craig czury, contributing editor